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	<title>The Radgeworks &#187; Music</title>
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	<description>erudition &#38; imagination</description>
	<lastBuildDate>Wed, 28 Dec 2011 15:13:35 +0000</lastBuildDate>
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		<title>Drukqs: a brief appreciation</title>
		<link>http://www.theradgeworks.co.uk/music/2011/drukqs-a-brief-appreciation/</link>
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		<pubDate>Wed, 28 Dec 2011 14:57:47 +0000</pubDate>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=328</guid>
		<description><![CDATA[Ten years from its release date, Richard D. James’ final album under his Aphex Twin moniker remains as intractable as ever, an enigma that rose up from the sands of electronica and stood towering over the land while its creator slunk off into apparent obscurity. Yet how to begin to grasp the unwieldy complexity of [...]]]></description>
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		<title>Analogue and Digital (Part 2)</title>
		<link>http://www.theradgeworks.co.uk/music/2011/analogue-and-digital-part-2/</link>
		<comments>http://www.theradgeworks.co.uk/music/2011/analogue-and-digital-part-2/#comments</comments>
		<pubDate>Mon, 12 Sep 2011 10:16:40 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=307</guid>
		<description><![CDATA[If one half of analogue and digital music is defined by the decision of a certain lineage of electronic music to turn its back on the technocracy inherent to digital production techniques, the other, made explicit in the title of the Monolog X release Analog Music 4 Digital People, has been its embrace of an [...]]]></description>
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		<title>Analogue and Digital (Part 1)</title>
		<link>http://www.theradgeworks.co.uk/music/2010/analogue-and-digital-1/</link>
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		<pubDate>Wed, 20 Jan 2010 16:52:26 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<description><![CDATA[Electronic music for the twenty-first century Given the dominant role of digitally produced sounds in electronic music, it is refreshing to see certain musicians seeking to rediscover the potential of analogue machinery and continuing to push the boundaries of its soundscapes. Challenging the hegemony of the computer in our digital age, the richly textured and [...]]]></description>
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