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	<description>erudition &#38; imagination</description>
	<lastBuildDate>Mon, 07 May 2012 08:35:50 +0000</lastBuildDate>
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		<title>The Drink Problem: in Defence of the Public House</title>
		<link>http://www.theradgeworks.co.uk/commentary/2012/public-house/</link>
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		<pubDate>Mon, 07 May 2012 08:35:50 +0000</pubDate>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=366</guid>
		<description><![CDATA[Few Scots would deny they enjoy a drink, and it is hard to dispute the fact that the nation’s rich tradition of brewing, distilling and consuming alcoholic beverages constitutes an important part of our cultural heritage. Yet the fact that there is a problem is something we have largely and unquestioningly come to accept: like [...]]]></description>
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		<title>The Shape of X to Come</title>
		<link>http://www.theradgeworks.co.uk/music/2012/the-shape-of-x-to-come/</link>
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		<pubDate>Tue, 10 Apr 2012 18:34:21 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=359</guid>
		<description><![CDATA[Mature and reflective, heterogeneous yet strangely coherent, The Shape of X to Come is a release whose title suggests a promise, a harbinger, a signpost towards a future direction; its densely layered ideas, together with its warmth, richness and texture, cannot help but leave the listener intrigued as to where this x, this unknown quantity [...]]]></description>
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		<title>The Postdemocratic Spectre</title>
		<link>http://www.theradgeworks.co.uk/commentary/2012/the-postdemocratic-spectre/</link>
		<comments>http://www.theradgeworks.co.uk/commentary/2012/the-postdemocratic-spectre/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 19:32:30 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=351</guid>
		<description><![CDATA[If the defining political feature of the twentieth century was the formation of supranational organisations, our twenty-first will be defined by the path they take. Political power that spans multiple countries and their borders is nothing new—what, after all, are the great empires that fill the annals of history?—yet sometime after the Second World War, [...]]]></description>
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		<title>Aquabrite</title>
		<link>http://www.theradgeworks.co.uk/distillations/2012/aquabrite/</link>
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		<pubDate>Mon, 27 Feb 2012 17:27:30 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Distillation]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=340</guid>
		<description><![CDATA[Alone, savouring the fresh morning; the stillness and silence. Right foot first, dipping it tentatively into the water, immediately feeling the icy clinch, the rough shapes of the volcanic rocks that lie underfoot; then the left, before pausing to let the body adjust, stopping to absorb the faint heat from the nascent sun. Next come [...]]]></description>
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		<title>Drukqs: a brief appreciation</title>
		<link>http://www.theradgeworks.co.uk/music/2011/drukqs-a-brief-appreciation/</link>
		<comments>http://www.theradgeworks.co.uk/music/2011/drukqs-a-brief-appreciation/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 14:57:47 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=328</guid>
		<description><![CDATA[Ten years from its release date, Richard D. James’ final album under his Aphex Twin moniker remains as intractable as ever, an enigma that rose up from the sands of electronica and stood towering over the land while its creator slunk off into apparent obscurity. Yet how to begin to grasp the unwieldy complexity of [...]]]></description>
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		<title>Animals in the Dark</title>
		<link>http://www.theradgeworks.co.uk/distillations/2011/animals-in-the-dark/</link>
		<comments>http://www.theradgeworks.co.uk/distillations/2011/animals-in-the-dark/#comments</comments>
		<pubDate>Fri, 02 Dec 2011 15:23:52 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Distillation]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=322</guid>
		<description><![CDATA[A bucolic scene: returning from a hike in the mountains, following the course of a small brook as it wends its way gushing and burbling down the valley and into the woods, chasing away a pair of inquisitive foxes on route, before eventually arriving back at the tent. The glade takes you by surprise, cool, [...]]]></description>
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		<title>In honour of Jimmy Reid</title>
		<link>http://www.theradgeworks.co.uk/commentary/2011/in-honour-of-jimmy-reid/</link>
		<comments>http://www.theradgeworks.co.uk/commentary/2011/in-honour-of-jimmy-reid/#comments</comments>
		<pubDate>Wed, 28 Sep 2011 20:02:39 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=314</guid>
		<description><![CDATA[Revisiting Jimmy Reid’s 1972 rectorial address, one cannot help but feel a fond sense of nostalgia for the politics of an entirely different era. In the words of Archie Hind, these were men with “the fire which came from a moral belief in a political idea as expansive, generous and as hot as the head [...]]]></description>
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		<title>Analogue and Digital (Part 2)</title>
		<link>http://www.theradgeworks.co.uk/music/2011/analogue-and-digital-part-2/</link>
		<comments>http://www.theradgeworks.co.uk/music/2011/analogue-and-digital-part-2/#comments</comments>
		<pubDate>Mon, 12 Sep 2011 10:16:40 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=307</guid>
		<description><![CDATA[If one half of analogue and digital music is defined by the decision of a certain lineage of electronic music to turn its back on the technocracy inherent to digital production techniques, the other, made explicit in the title of the Monolog X release Analog Music 4 Digital People, has been its embrace of an [...]]]></description>
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		<title>Troubled Times</title>
		<link>http://www.theradgeworks.co.uk/commentary/2011/troubled-times/</link>
		<comments>http://www.theradgeworks.co.uk/commentary/2011/troubled-times/#comments</comments>
		<pubDate>Fri, 12 Aug 2011 20:07:10 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=288</guid>
		<description><![CDATA[Scenes of anarchy across the English capital which quickly spread to engulf other parts of the nation. An act of aggression by the police was to prove the spark that ignited a tinderbox which fireballed rapidly out of control into a four night spree of violence, looting and arson as mobs of feral youths ran [...]]]></description>
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		<title>Down with the kids</title>
		<link>http://www.theradgeworks.co.uk/commentary/2011/down-with-the-kids/</link>
		<comments>http://www.theradgeworks.co.uk/commentary/2011/down-with-the-kids/#comments</comments>
		<pubDate>Mon, 08 Aug 2011 22:41:50 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
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		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=282</guid>
		<description><![CDATA[Channel 4’s hapless attempt to appropriate street art and be ‘down with the kids’ is wrong on so many levels, it is hard to know where to begin. From the rigged London competition, endorsed but in the end curiously not judged, by none other than the self-styled ‘Big Poppa Ser’, to the cringe-worthy video clips [...]]]></description>
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