<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The Radgeworks</title>
	<atom:link href="http://www.theradgeworks.co.uk/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.theradgeworks.co.uk</link>
	<description>erudition &#38; imagination</description>
	<lastBuildDate>Wed, 28 Dec 2011 15:13:35 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Drukqs: a brief appreciation</title>
		<link>http://www.theradgeworks.co.uk/music/2011/drukqs-a-brief-appreciation/</link>
		<comments>http://www.theradgeworks.co.uk/music/2011/drukqs-a-brief-appreciation/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 14:57:47 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=328</guid>
		<description><![CDATA[Ten years from its release date, Richard D. James’ final album under his Aphex Twin moniker remains as intractable as ever, an enigma that rose up from the sands of electronica and stood towering over the land while its creator slunk off into apparent obscurity. Yet how to begin to grasp the unwieldy complexity of [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/music/2011/drukqs-a-brief-appreciation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Animals in the Dark</title>
		<link>http://www.theradgeworks.co.uk/distillations/2011/animals-in-the-dark/</link>
		<comments>http://www.theradgeworks.co.uk/distillations/2011/animals-in-the-dark/#comments</comments>
		<pubDate>Fri, 02 Dec 2011 15:23:52 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Distillation]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=322</guid>
		<description><![CDATA[A bucolic scene: returning from a hike in the mountains, following the course of a small brook as it wends its way gushing and burbling down the valley and into the woods, chasing away a pair of inquisitive foxes on route, before eventually arriving back at the tent. The glade takes you by surprise, cool, [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/distillations/2011/animals-in-the-dark/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>In honour of Jimmy Reid</title>
		<link>http://www.theradgeworks.co.uk/commentary/2011/in-honour-of-jimmy-reid/</link>
		<comments>http://www.theradgeworks.co.uk/commentary/2011/in-honour-of-jimmy-reid/#comments</comments>
		<pubDate>Wed, 28 Sep 2011 20:02:39 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Comment]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=314</guid>
		<description><![CDATA[Revisiting Jimmy Reid’s 1972 rectorial address, one cannot help but feel a fond sense of nostalgia for the politics of an entirely different era. In the words of Archie Hind, these were men with “the fire which came from a moral belief in a political idea as expansive, generous and as hot as the head [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/commentary/2011/in-honour-of-jimmy-reid/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Analogue and Digital (Part 2)</title>
		<link>http://www.theradgeworks.co.uk/music/2011/analogue-and-digital-part-2/</link>
		<comments>http://www.theradgeworks.co.uk/music/2011/analogue-and-digital-part-2/#comments</comments>
		<pubDate>Mon, 12 Sep 2011 10:16:40 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=307</guid>
		<description><![CDATA[If one half of analogue and digital music is defined by the decision of a certain lineage of electronic music to turn its back on the technocracy inherent to digital production techniques, the other, made explicit in the title of the Monolog X release Analog Music 4 Digital People, has been its embrace of an [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/music/2011/analogue-and-digital-part-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Troubled Times</title>
		<link>http://www.theradgeworks.co.uk/commentary/2011/troubled-times/</link>
		<comments>http://www.theradgeworks.co.uk/commentary/2011/troubled-times/#comments</comments>
		<pubDate>Fri, 12 Aug 2011 20:07:10 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Comment]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=288</guid>
		<description><![CDATA[Scenes of anarchy across the English capital which quickly spread to engulf other parts of the nation. An act of aggression by the police was to prove the spark that ignited a tinderbox which fireballed rapidly out of control into a four night spree of violence, looting and arson as mobs of feral youths ran [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/commentary/2011/troubled-times/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Down with the kids</title>
		<link>http://www.theradgeworks.co.uk/commentary/2011/down-with-the-kids/</link>
		<comments>http://www.theradgeworks.co.uk/commentary/2011/down-with-the-kids/#comments</comments>
		<pubDate>Mon, 08 Aug 2011 22:41:50 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Comment]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=282</guid>
		<description><![CDATA[Channel 4’s hapless attempt to appropriate street art and be ‘down with the kids’ is wrong on so many levels, it is hard to know where to begin. From the rigged London competition, endorsed but in the end curiously not judged, by none other than the self-styled ‘Big Poppa Ser’, to the cringe-worthy video clips [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/commentary/2011/down-with-the-kids/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Street Names</title>
		<link>http://www.theradgeworks.co.uk/distillations/2011/street-names/</link>
		<comments>http://www.theradgeworks.co.uk/distillations/2011/street-names/#comments</comments>
		<pubDate>Mon, 16 May 2011 22:25:23 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Distillation]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=277</guid>
		<description><![CDATA[Alone in the library one evening, early winter, I chance to stumble upon a curious title: History and Derivation of Edinburgh Streetnames, published by The Edinburgh Corporation, City Engineers Department, May 1975. I dust down the cover and settle down at a reading table to flick through a few of the pages. I’m surprised, first [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/distillations/2011/street-names/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>One night in Buenos Aires</title>
		<link>http://www.theradgeworks.co.uk/books/2011/one-night-in-buenos-aires/</link>
		<comments>http://www.theradgeworks.co.uk/books/2011/one-night-in-buenos-aires/#comments</comments>
		<pubDate>Fri, 06 May 2011 13:15:31 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Books]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=270</guid>
		<description><![CDATA[With a title that is perhaps a tongue in cheek nod to Oliver Chesler’s One night in New York City, Araya’s novella marks a brave departure from the short stories penned as part of his Tales from the Chilean Andes series (2008–2009). Turning his back on the mountains with which he appeared to have developed [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/books/2011/one-night-in-buenos-aires/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why Scots should rule Scotland</title>
		<link>http://www.theradgeworks.co.uk/books/2011/why-scots-should-rule-scotland/</link>
		<comments>http://www.theradgeworks.co.uk/books/2011/why-scots-should-rule-scotland/#comments</comments>
		<pubDate>Wed, 27 Apr 2011 09:29:08 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Books]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=260</guid>
		<description><![CDATA[There are better ways of living than being happy but they require strength and sanity. Revisiting Gray’s avocation of home rule almost twenty years after this pamphlet was first published for the 1992 general election, and almost fifteen years since its subsequent revision, the political landscape it describes is much changed, or at least superficially. [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/books/2011/why-scots-should-rule-scotland/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Migration literature and hybridity: the different speeds of transcultural change</title>
		<link>http://www.theradgeworks.co.uk/books/2011/migration-literature-and-hybridity/</link>
		<comments>http://www.theradgeworks.co.uk/books/2011/migration-literature-and-hybridity/#comments</comments>
		<pubDate>Thu, 07 Apr 2011 11:05:07 +0000</pubDate>
		<dc:creator>theradgeworks</dc:creator>
				<category><![CDATA[Books]]></category>

		<guid isPermaLink="false">http://www.theradgeworks.co.uk/?p=248</guid>
		<description><![CDATA[That the post colonial enterprise would one day turn back on itself to reconsider its largely unashamed championing of the so-called “third space”, a space where peoples and cultures collide, now seems inevitable. Moslund’s study provides a refreshing critique of this phenomenon, connecting with broader undercurrents of disaffection with the fetishism of difference and the [...]]]></description>
		<wfw:commentRss>http://www.theradgeworks.co.uk/books/2011/migration-literature-and-hybridity/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

